Some of my friends ask me, affraid, restless, about the crucifixion of my heroines, the nymphae, in this saga. "Are they really crucified in your story?" The images by
Arcimboldo in his/her Algolagnia, showed in
Art close to "Ninfa", cause this questions.

Arcimboldo's Algolagnia
Unquestionably shocking, century 21st Arcimboldo's photomanipulations agitate me till my marrow. If I put logics to that emotion, hardly can say that their perfect combination between female beautiful and extreme brutality seduces me in an irresistible way, and is unique in its gender. There are few artists reaching that perfection with style and grace; I could mention the Hajime Sorayama's Venom, another highest point in graphic sadism.

Hajime Sorayama's Venom
Returning to a Ninfa, that question is very wise. If we remember the world were live Ila and her lineage sisters, my nymphae, we can imagine it as chaotic, tyranical, brutal, savage. In fact, Bag Amon post apocallyptic society, where my pretty heroines live their adventures, is very similar to our Medieval age, because its chaos, and also to Roman Empire, due to bestiality of its rulers.
Then, we can wait that execrable oponents to nymphae apply aberrant technics in order to submit them. However, to know if nymphae are or aren't crucified in Ninfa, you, my dear readers, would confirm that with the publication of the saga.
Alicia Kinomoto
August 2, 2008